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Much More Than A Super Suspense Thriller!! Jun 11, 2003 (2972 of 4035 found this helpful)
Once I began this extraordinary book, I could not put it down. "The Da Vinci Code" is so much more than a gripping suspense thriller. Dan Brown takes us beyond the main plot and leads us on a quest for the Holy Grail - a Grail totally unlike anything we have been taught to believe. With his impeccable research, Mr. Brown introduces us to aspects and interpretations of Western history and Christianity that I, for one, had never known existed...or even thought about. I found myself, unwillingly, leaving the novel, and time and time again, going online to research Brown's research - only to find a new world of historic possibilities opening up for me. And my quest for knowledge and the answers to questions that the book poses, paralleled, in a sense, the quest of the book's main characters. What a trip! What a read!
A violent murder is committed in the Louvre Museum. The museum's chief curator, who is also the head of a remarkable secret society that has existed since the death of Christ, is found dead and gruesomely positioned on the floor near The Mona Lisa. In the minutes before he died, this very complex man was able to leave clues for his daughter to follow. The daughter, a brilliant cryptographer, along with a famed US symbologist, follow her father's codes and leads, hoping that he will, through his death, finally tell her what he wanted to confide in her while he lived. The secret society included members such as: Leonardo Da Vinci, Boticelli, Gallileo, Isaac Newton, Victor Hugo, Jean Cocteau, etc. These folks really Did belong to this society, which Really existed! This is when I first began my online search.
The mystery, or mysteries, take us through England, France and far back in time. We learn about the secret of the Knights Templar, and the symbolism in many of the world's most treasured paintings, as well as architectural symbolism in some of history's most sacred churches. Of course, we also learn who committed the murder and why - although this is almost secondary next to the real epic mystery the novel uncovers.
If there are flaws in the plot, I was too busy reading to discover any. That is probably the sign of a terrific book! The writing is excellent and the characters are a bit on the super-hero/heroine side, but who cares? Is what "The Da Vinci Code" proposes true? Well, the research is correct. The historical events and people explored in the book are real. But no one knows the Truth...nor will we ever, probably. I think that some things are meant to be a mystery. With all the world's diverse religions and each individual's belief in what is Divine - the Truth would have to destroy the beliefs, hopes and lives of many of the world's population. So, perhaps, in the divine scheme of things, there are many more Truths than one. Don't take the book too seriously. Just read it and enjoy!
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The post-literate novel Aug 4, 2004 (1110 of 1408 found this helpful)
Seventy pages into Dan Brown's surprisingly putdownable potboiler, the inevitably green-eyed, French-accented code cracker Sophie Neveu sighs, "This is not American television, Mr Langdon." Oh, Sophie, if only that were true. You know a book owes too much to the screen when an albino assassin appears on the very first page, and rather than taking the time to construct an original variant on the intelligent-action-man hero you're simply instructed to think of Harrison Ford - in tweed. This is a movie, pure and simple: a thinly plotted, strongly visual, mildly entertaining Hollywood chase movie about cardboard characters (replete with sappy childhood flashbacks) and with enough Opus Dei-bashing to make it a fast-acting antidote to "The Passion of the Christ." Crammed full of supposedly arcane revelations about mathematics, religion, symbolism and art - most of which read like verbatim downloads from Google - the "intellectual" content won't be dazzling or new (forget accurate) to anyone even slightly inquisitive about these topics. Worse, it's presented with a juvenile fascination for "connections" that would embarrass the most seasoned New Age charlatan. It all moves at a cracking pace, of course, and has enough scope and colour to hold your rapt attention for a few winter nights, and enough Catholic conspiracy theory to warm the heart of an atheist. But it's so devoid of literary merit, so apparently committed to the squandering of every opportunity to do anything interesting with the material - rather than just ape the narrative grammar of cinema - that it truly beggars belief. The characters are just names on the page, huge swathes of deadpan "I'm glad you asked"-style exposition pad out the clunky plot shifts, and because it's all so closely modeled on the rhythms of Hollywood nothing ever comes as a surprise - not a word, not an image, not a moment. This is post-literate prose at its direst, plugging directly into pre-fabricated scenarios, characters and images, absolving the reader of the need to imagine anything - which is why it's such a famously easy read. This is reality as a simulacrum of television, a copy of a copy, and about as convincing. It's an odd stylistic choice in a novel which takes as its theme the notion that great art depicts truths which evil empires would suppress. My advice? Save your time, and wait for the movie, i.e. wait until this story is presented in its natural form. I'm actually really looking forward to it. Seriously. I quite like the story, I just dislike the way it's presented here. It's fundamentally a puerile novel, but as a Hollywood movie I'm sure I'll be tickled by it. In the mean time, if you want to read the kind of novel this purports to be, get yourself a copy of Umberto Eco's "The Name of the Rose" or, better yet, "Foucault's Pendulum". If those don't grab you, at the very least try Donna Tartt's "The Secret History" - nothing to do with the Grail, but it's certainly more deserving of the "intelligent thriller" label than this. Is there really nothing better to be said for "The Da Vinci Code", as novel? Sadly, I'm with Harrison - I mean Robert: "Langdon considered it a moment, then groaned." (p.93)
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Factual, Fast, and Fun Apr 28, 2003 (298 of 339 found this helpful)
I was introduced to the books of author Dan Brown only three weeks ago, but have quickly absorbed all four of his published works. It is easy to see why some are comparing the work of Dan Brown and James BeauSeigneur (THE CHRIST CLONE TRILOGY). Both Brown and BeauSeigneur deal masterfully with the more mysterious features of religion, politics, and science. Both bring to light amazing bits of information, which they weave into the intricate patterns of their stories. Both are highly imaginative and write with a ring of authenticity that makes for a compelling read. While Brown compresses labyrinthine plots into brief time periods to provide page-turning suspense, BeauSeigneur trilogy is of epic proportion, covering several decades. While Brown applies the mysteries of history to the drama of "today," BeauSeigneur uses both history and prophecy (from perhaps a dozen major world religions) to transport the reader from the world of today, to the very dawning of a new age in a story reminiscent of the scope of Asimov's classic, FOUNDATION.
One other difference is that BeauSeigneur has taken the novel (pun intended and forgiveness is asked) approach of including footnotes in his books of fiction. By doing so, he all but eliminates the necessity of suspending disbelief. Few authors employ such strong factual grounding as to make footnotes useful, but I believe Brown's work (and his readers) would benefit from BeauSeigneur's innovation.
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LOVELY!!! No More Read & Internet Search for Pictures Nov 23, 2004 (284 of 303 found this helpful)
I've never been in Paris. I wasn't a DaVinci's fan and didn't know much about his works & paintings except Mona Lisa. When I picked up Dan Brown's Da Vinci Code to read, I did have a hard time to follow the Da Vinci's works and some sightseeings in Paris described in the book. Thus, I had my computer connected to Internet besides me to dig out different paintings and photos of what the book mentioned like Louvre, Pentacle, The Last Supper, Opus Dei Headquarters, etc. Luckily, The Da Vinci Code Special Illustrated Edition is just out.
I couldn't wait and purchased immediately regardless I have the regular hardcover edition of Da Vinci Code, which I plan to give it to one of my friends. This Special Illustrated Edition is not a cartoon or comic edition of Dan Brown's Da Vinci Code, nor it is an abridged version. It's a full original version embedded with over 126 colorful pictures & photos besides the text. It saves you lots of time & effort to search from Internet if you don't know how Château de Villette looks like, the overview map of the Louvre, and many other scenes, buildings, paintings mentioned in Dan Brown's Da Vinci Code. Overall, it's LOVELY!
Undoubtfully Dan Brown has done amazing jobs to his book "The Da Vinci Code". The story is powerful and magnificent. Mixing with a lot of traceable truth and facts, he made his novel sound extremely convincing and inevitably deluded you from what's real and what's fictional. However, please don't take it too serious, it's just a novel, not a research paper trying to make a breakthrough statement. Overall, the book has quite a lot of twists shocking you. Even the ending has double meanings. Make sure you read the Epilogue chapter, or you won't know where the Holy Grail rests that Dan Brown suggested as the poem below:
"The Holy Grail 'neath ancient Roslin waits.
The blade and chalice guarding o'er Her gates.
Adorned in masters' loving art, She lies.
She rests at last beneath the starry skies."
For people who love deciphering codes, Dan Brown wisely placed some codings on the regular hardcover edition's paper cover. If you pay attention you may find some bold fonts seemed appearing randomly. Link them up and you should see a hint to read.
(Reviewed by Otto Yuen, 21-Nov-2004)
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"awesome"? more like "awful" Mar 27, 2003 (255 of 431 found this helpful)
This is a poorly written book in which unlikely non-characters chase after one another at breakneck speeds or make hairbreadth escapes, pausing only long enough to impart to one another unreliable information. I can't remember when I last read such awful prose. If you can stomache sentences like the following -"Everyone in the reception area gasped in wonderment at the sight of the half-naked albino offering the bleeding clergyman" - then be my guest. You have been warned.